On
emotions: history, politics, representations
Athens,
18-20 May 2007
program
The
concept of ‘emotions’ has increasingly become
topical on the agenda of academic research as well as in social
and political endeavors during the last twenty years. Contemporary
international crises, which have become frequent of late,
bring out personal and collective forms of emotional manifestations
– such as pain, fear, compassion, and affect –
and reveal the degree in which these emotions are entangled
with the political and social action of individual and collective
agents, i.e. states, international organizations, humanitarian
associations, etc. At the same time, the formation of individual
and collective subjectivities through the manipulation of
emotions, the role of emotions in the production of social
hierarchies such as gender, class, race and the nation, as
well as power relations among individuals, nations and even
historiographies have increasingly become the object of historical
study. The turn of historiography to the study of emotions
in order to indicate historical continuities and discontinuities
as well as the interpretation and understanding of procedures
and transformations, such as the origin of the “culture
of guilt” within medieval Christianity, or the rise
of sentimental individuality during the seventeenth century,
has opened new opportunities for the inspection of the past.
Therefore the study of emotions and the examination of questions
related to their production and use is pertinent and timely
as these address issues relating not only to academic research
but also to social and political action.
In the framework of Western hegemonic hierarchical dichotomies
(individual–social, public–private, rational–irrational)
emotions have been stereotypically conceptualized as natural
and/or psychic essences. Situated in a biologically and universally
determined human nature, emotions were not recognized as a
legitimate category of historical and socio-cultural analysis.
Since the 1980s the interests of social and cultural studies
have turned (especially under the influence of social anthropology)
to the cultural and social production of emotions as well
as to the relation of emotions to political procedures. This
turn led to a prolific bibliographical production in historical
studies, social anthropology and theory, as well as cultural
studies. Scholarship on emotions was interconnected with a
broader search for identity, subjectivity, alterity and agency.
Later, criticism based on simplistic logocentric constructivist
theories and the emergence of the theory of embodiment challenged
dualistic dichotomies such as body–mind and reason–emotion.
Furthermore, the development of a dialogue between social
theory and psychoanalysis led to an investigation of the social
in terms of the psychic and of the psychic in terms of the
social.
The conference seeks to explore the historicity, sociality,
and cultural politics of emotions such as love, shame, fear,
guilt, anger, sublimation, pride, vulnerability and sacrifice,
passion, compassion and animosity. The discussions and explorations
that this conference seeks to encourage draw on a wide range
of fields namely: History, Social Anthropology, Cultural Studies,
Gender Studies, Queer Studies, Postcolonial Studies, and Media
and Communication Studies.
The
conference focuses mainly – but not exclusively –
on the following thematic domains:
·
the history and politics of emotions in the context of the
national, religious, and other institutions and discourses,
the nation-state and the mechanisms of social control, the
practices of humanitarian governmental and non-governmental
organizations
· the uses of emotions as a narrative strategy in historical
writing
· the viewing and spectacularity of emotions as represented
through the media
· the emotional aspects of gender, class, and national
identities and subjectivities in their multiple historical
dimensions
· emotions as strategies in the context of consumption
and the market
· emotions as artistic representations in the form
of photography, painting, video-art, etc.
· emotional collectivities, collective emotions; the
emotional investment of public spaces
· senses, emotions, and embodied subjectivities
CALL FOR PAPERS
We
invite proposals for 15-minute individual papers or for 90-minute
panels. If you are interested in presenting an individual
paper, please send the title and a 500-word abstract to historein@historein.gr.
If you are interested in organizing a panel, please send a
500-word summary of the proposed session as well as 500-word
summaries of individual papers. Panel chairs are responsible
for the funding of their proposed panel. The deadline
for individual and panel proposals is 15 May 2006.
The selection committee will notify the final speakers in
due course.